Ahhh, compression. Probably one of the most misunderstood effects in the whole world of pedals. Many seasoned players are aware of the magic of a good compressor, but for most, its not especially high on the list of gear lust we all have. It doesnt create a wall of fuzz, it doesnt echo, warble, or warp. It just does its thing, and most of the time, in the hands of an experienced player, you dont even know its there.
\nIt can give things a lift, or smooth a spiky tele. It can bring out the balls on a bass, and make a picks attack on a string defined and present in the mix.
\nUse it in a less subtle way, and you can squash your signal, to the point of no return. Think of a clucky strat with the middle and bridge pup engaged, in the hands of a good country player or a hybrid-picker like Mark Knopfler. That cluck and pop is a compressor bringing out the articulations of the fingers, pick, strings, that would otherwise be lost in the auditory wash of a full band.
\nPut it in front of a dirt box with the attack backed off, a nice quick release, and only a bit of compression, and youll feel every dig of the pick into the strings. A great rhythm player, a bit of compression, and a tight drummer, can equal a chugging rhythm with the guitar making every hi-hat hit pop just a bit more. In short, compressor pedal can be a very good thing.
\nThe Gold comp really is a truly special pedal. A year and a half of experimenting, tweaking, redesigning, and testing has resulted in a pedal worthy of the Wren and Cuff name.
\nTwo hand-tested vintage germanium transistors in the box provide a natural warmth and super smooth clipping that has to be heard to be believed. The Gold Comp can go from a barely noticeable compression sitting inside of a cozy germanium pre-amp, adding a subtle sweetness to your tone, all the way to total old-school dirty squash with the twist of a couple knobs.
\nPull way back on the compression, attack, and release, and youll have a fantastic pre-amp\/ boost similar to the W&C Phat Phuk.
\nThere often seems to be a divide between transparent and dirty compressors, the thought being that youd need one pedal for each purpose. The Gold Comp proves that you can have both within one unit.
\nExperienced players who love to dial in things just right will appreciate the four control layout, and those new to the world of compressors need not be intimidated. The Gold comp sound is complex, but the operation is simple.
\nConstructed to the level of quality that Wren and Cuff has built its reputation on, made in the USA, with a lifetime warranty, this is a pedal you simply cant go wrong with.
\nThe tone is pure gold.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ahhh, compression. Probably one of the most misunderstood effects in the whole world of pedals. Many seasoned players are aware of the magic of a good compressor, but for most, its not especially high on the list of gear lust we all have. It doesnt create a wall of fuzz, it doesnt echo, warble, or […]<\/p>\n","protected":false},"featured_media":55545,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[1996,1994,1995],"product_tag":[],"class_list":{"0":"post-26281","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-amplifiers-and-effects","7":"product_cat-compressor-effects-pedals","8":"product_cat-effects","10":"first","11":"instock","12":"sale","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"yoast_head":"\n